TOP OF THE WORLD
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When producing works of art, the artist
judges a piece’s themes from a point of view that is charateristical to
the artist’s beliefs and to the perspective which he takes on things.
In many cases, this point of view is set outside the system the piece
is about. Besides criticising given facts, an outside point of view
gives a perspective onto things that is free from preoccupation and
theme-inherent perception.
In the case of «Earth Extremes», the point of view is situated outside
of our planet, and the artist looks upon the Earth like an alien traveller
arriving from another star.
The planet’s features and its relations to the other celestial bodies in the solar system are observed as if seen from beyond, and redefined. Travels are undertaken to reach these points.
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Works in Catalogue
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Publication: «Real Fantasies – New Photography from Switzerland», Christoph Merian Verlag, Basel
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created 2004-12-30 | last update 2007/10/10 | Copyright (c)2002–2010 by Christian Waldvogel
Top of the World
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If we came to the Earth from outer space, we would find it orbiting the sun on the same plane as the other planets. This plane, known as the ecliptic, would help us find our spatial orientation and to determine top and bottom. In this respect, the uppermost point of the Earth is not at one of the poles, but shifts along the arctic circle in the opposite direction to the rotation of the Earth.
figs. 2-4) Driving towards the «Top of the World» (which moves westward at 664.5km/h) on Dec 31st, 2004
During winter 2004/2005 we traveled in swedish Lapland to the arctic circle and reached the «Top of the World» on December 31st, 2004 at 12:29 UTC. This moment was verified with a GPS device. The aerial photograph
acts as a «geographical proxy image»: taken some other time somewhere else, it represents another possible location.
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created 2004-12-30 | Copyright (c)2002–2010 by Christian Waldvogel